Roberts did not wear a wig to play Tinker Bell. He sold them to the filmmakers in return for an executive producer credit.ĩ. Dodi Fayed, ill-fated future beau of Princess Diana, owned a piece of the "Pan" film rights. Carrie Fisher, at the height of her script-doctoring career, did an uncredited rewrite of Hart's script to give Julia Roberts' Tinker Bell better dialogue.Ĩ. The production hired John Bradshaw, the then-popular psychologist who specialized in helping stressed-out adults find their inner children, as a story advisor.ħ. "I patterned him after several of my friends on Wall Street, where the pirates wear three-piece suits and ride in limos."Ħ. "I realized that Peter did grow up, just like all of us baby boomers who are now in our forties," Hart told Spielberg biographer Joseph McBride. Hart credited his little boy with coming up with the film's basic premise: a Hook who'd escaped the crocodile, and a Peter Pan who'd grown up. The words came from Leslie Bricusse, the lyricist behind " Willy Wonka and the Chocolate Factory" and many other stage and screen musicals.ĥ. Only two of them made it into the finished film: "We Don't Wanna Grow Up" and "When You're Alone."Ĥ. Indeed, Spielberg's usual composer, John Williams, composed eight songs for that version. Had Jackson played Pan, the film would have been a musical. The filmmaker told Entertainment Weekly that Jackson understood this was no longer a role he'd want, but Vanity Fair reported that the singer didn't take the news well and tried to wreak vengeance upon Spielberg via a deadly voodoo curse.ģ. Spielberg explained to him that Peter was now an adult lawyer who'd forgotten he was ever Pan. Years later, when Spielberg returned to the project, the king of Neverland Ranch again lobbied for the part. During the time of Spielberg's initial interest, Michael Jackson was up for the part of Peter Pan.
#PETER PAN FULL MOVIE 2016 MOVIE#
Echoing the theme of the film, Spielberg decided he'd rather spend time with his son than go off to London and make a movie with other people's kids. But then the director's first son, Max, was born. As far back as 1985, he already knew he wanted Hoffman as Hook. Naturally, Spielberg had long been interested in making a "Peter Pan" movie.
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Still, as many times as you've revisited Spielberg's Neverland, there's plenty you may not know about "Hook," from its secret cameos to its Michael Jackson connection.
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Steven Spielberg's "Peter Pan" sequel, a fable for adults disguised as a kid's movie, has scarcely left our consciousness since - thanks to the director's overstuffed visuals and swashbuckling performances by Dustin Hoffman and Robin Williams as the older Captain Hook and Peter Pan. Moreover, rehearsing and performing some of these stunts must have taken genuine physical courage.A lot of Lost Boys and Girls have grown up and had kids of their own since the release of " Hook" 25 years ago this week, on December 11, 1991. Aaaargh ! The actors are much to be applauded for their teamwork - this is clearly a well-rehearsed and close company - and for their split-second comic timing. The ending, with a pirate ship going on a rampage through various BBC studios, deserves to become a classic.
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("Noises Off", for instance, tells of a play going to the dogs to such an extent that three or four burglars show up, performing exactly the same actions and mouthing exactly the same lines.) While not strikingly original, the idea is executed with such skill, verve and imagination that it turns into a minor masterpiece. No more weekend trips to London, I'm afraid - the gates of the city will remain closed for me, while petite women in pea-green leotards will throw darts at my photograph.) The idea of a performance going disastrously, hilariously wrong is not new. This feat alone merits a handful of stars, as Peter Pan, in my humble opinion, is twee twaddle with pernicious undercurrents.
A nice comedy which provides a much-needed antidote to all the "Peter Pan" nonsense threatening to engulf the English-speaking nations during the pantomime season.